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Nope, we had to buy records made by guys who took statins.
My first 45 was Dan Fogelberg’s “Same Old Lang Syne,” a bittersweet story-song about two former lovers who bump into one another in a supermarket frozen foods section and get honest about their lives’ compromises and disappointments over a six-pack, then ruefully say another, more final good-bye as the snow turns into rain. Andy Taylor, “Take It Easy” The first solo single from the least popular Taylor in Duran Duran comes from the soundtrack of the timeless Mitch Gaylord–Janet Jones love-among-the-pommel-horses gymnastics flick American Anthem.
Mark’s Place: This track was co-written by Steve Jones of the Sex Pistols. The young protagonist of “Papa Don’t Preach” plans to keep her baby, which you would think would endear her to her more conservative detractors, but nope: Religious groups lined up to accuse her of promoting teenage promiscuity.
(Also, please take note of the backup-singer choreography in this video, which I can say without reservation is the best thing ever. Go look.) and this is what they wiped themselves off with. The Blow Monkeys, “Digging Your Scene”Ah, the Blow Monkeys! (And here again, give me “Forbidden Fruit.”) There are a lot of other attendance-award winners joining them elsewhere in this week’s Hot 100, too: There was false hope to go around in Reagan’s America, is what I’m saying. Nu Shooz, “I Can’t Wait”The summer of 1986 was a pivotal one in my development.
That joyous pop song that is carried in on the first warm breeze of April and whets your appetite for pool parties and humid afternoons.
The ’80s had the best of these; I speak of Scritti Politti’s “Perfect Way,” Jane Wiedlin’s “Rush Hour,” and Hipsway’s “The Honeythief” to name but three.
” Instead, let’s head back to July 2, 1986, and check out what 40.
Steve Winwood, “Higher Love” There are so, so many middle-aged white guys on this chart.
Keep “(I Just) Died In Your Arms,” give me “One for the Mockingbird.” I will take “In a Big Country,” but you must include “Fields of Fire.” After unleashing the ludicrous novelty song “Rock Me Amadeus” — a song whose radio edit contained a spoken-word timeline of Mozart’s life, making it the first No. In this way, “Vienna Calling” may be the most inspiring song of the decade.